The Question of Our Speech The Lesson of Balzac; Two Lectures Henry James 9781359088048 Books
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The Question of Our Speech The Lesson of Balzac; Two Lectures Henry James 9781359088048 Books
Litany allusions, subtle and not so subtle metaphors and a symbolic romp portray the clipping of womens' wings. These most interesting characters will delight you and infuriate you. Not an easy read, but an important one. Carter's writing is amazing.Product details
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The Question of Our Speech The Lesson of Balzac; Two Lectures Henry James 9781359088048 Books Reviews
Nights at the Circus more than lives up to its legendary status as a magical fiction delight from the first page where we meet its surreal winged trapeze artist!
I've heard good things about this book and was anxious to read another circus-themed novel after "Water for Elephants," which I really enjoyed. Well, "Nights at the Circus" is very different from "Water for Elephants." The story itself is fantastic Jack, a young journalist, decides to do a story on a mysterious half-woman/half-swan trapeze artist (Sophie/Fevvers). Jack becomes smitten with Fevvers and decides to join the circus so he can be with her. The story chronicles the journey of the circus around Europe and revolves around determining whether Fevvers is everything she claims to be.
The book has a unique style and memorable characters. It's also surprisingly naughty, which I kind of love. However, it also has a very confusing narrative that is difficult to follow. I think the narrative detracts from the heart of the story, which was frustrating for me. However, it's worth putting up with the random shifts in perspective to find out how this whimsical story ends.
This is one of my favorite books. If you're looking for a fun read, an unpredictable plot and larger than life characters, this is the book for you. Carter's style might be out vogue with contemporary criticism, but that doesn't make this novel any less fun. You'll fall in love with the characters. You'll have a blast reading it.
I admire this writer for coming up with a unique story that is both imaginative and unpredictable. Considering how playful the subject is -- a traveling circus of a magical nature -- the book should be fun to read, but instead it is a real slog. What seems to slow things down are the frequent interludes of backstory, interrupting the flow of action and dialogue. The author doesn't allow enough space for the characters to speak for themselves, but keeps stopping them in midcourse to describe and interpret. The prose becomes overly complex and almost academic in tone. The characters are hard to get a sense of. They use words like "sub-text" and "exiguous" which really aren't used by anyone outside of a classroom and - since they don't refer to anything a person might experience - don't belong in a novel. It seemed to me that there were also too many subplots going on and too many new characters and situations introduced.There are some charming passages -- one in particular where a couple of tigers are suddenly moved to dance a waltz with humans. I stayed with it to the end, but ultimately didn't enjoy it.
Angela Carter is a terrific writer with a Brobdingnagian vocabulary and extravagantly rich style of writing. She shifts points of view, invokes a number of post-modern feints, and mixes fairy tales and actual history for her own purposes. It starts with great promise but can't maintain the high-wire act. "Nights at the Circus" is broken into three equal parts
-- London. This realistic section of the novel introduces the two major characters Fevvers and Walser. Even in this section time is slippery and some stories about Fevvers don't make sense, but it all seems like a terrific set-up for a fabulous (literally, "fabulous") story.
-- (St.) Petersburg. This is a lengthy description of Colonel Kearney's circus and its performers. Walser joins the troupe and eventually sheds his life as a journalist eventually to become a clown. This section contains a fascinating discussion of clown theory that I'll remember and think about every time I see a clown.
-- Siberia. This section is the least realistic. Events become magical and then outrageous with an impossible collection of coincidences and wild back-stories for the new characters. Carter tries, and almost succeeds, in tying up all the loose ends in the final pages, but it's too late. The novel has swung too far out of control.
The characters are all over-sized and truly carnivalesque
+ Fevvers– The big, beautiful aerialist (half blonde bombshell, half angel, half bird) who kicks the story off, shifts to the shadows in the middle section, and almost disappears before she tries to tie it all together at the very end.
+ Walser– The US journalist who interviews Fevvers, and then joins the circus to get the truth.
+ Lizzie– Fevvers' adoptive mother and support system, who always knows what to do, sometimes perhaps supernaturally.
+ Madame Schreck– The owner of the freakish whorehouse who originally employs Fevvers.
+ Christian Rosencreutz– The religious maniac who buys Fevvers from Schreck and from whom Fevvers must escape to save her life.
+ Colonel Kearney– The outlandish owner of the circus that employs Fevvers and leads the circus to its final resting place.
+ Sybil– Kearney's absurdly intelligent pet pig that makes Kearney's major decisions.
+ The Princess of Abyssinia– The silent but talented tiger tamer for the circus.
+ Mignon– The absurdly thin young woman who escapes from her abusive husband to work with the Princess of Abyssinia and her tigers.
+ The Strong Man- The traditional muscle-head who unsuccessfully courts Mignon and deals with The Educated Apes.
+ The Professor of The Educated Apes- The leader who parodies academics and appears more human than some of the other acts.
+ Buffo the Great– The head of the clowns who is eventually driven crazy by the clowns and the circus.
+ Olga Alexandrovna– An escaped prisoner who assists the troubled circus performers in Sibera.
+ The Shaman– The spiritual leader who saves Walser and helps him restore his memory in Siberia.
+ The Maestro – The music school teacher who also helps the doomed circus performers in Siberia.
The novel is fun at first, but winds up being mostly for academics. I think that feminists and socialists will have plenty to discuss. The writing itself is brilliant but the plot waivers, especially near the end. I thoroughly enjoyed the setup in the first section and much of the clown and circus discussions in the second section, but felt that Carter lost control of the material by the end, or lost my interest in making sense of the new characters and their resolutions. Still I give it four stars and have thought about the possibilities of the extended metaphor of Fevvers and the circus for more than a week now.
Litany allusions, subtle and not so subtle metaphors and a symbolic romp portray the clipping of womens' wings. These most interesting characters will delight you and infuriate you. Not an easy read, but an important one. Carter's writing is amazing.
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